On this Rewind episode, Kyle Meredith speaks with Radiohead’s Colin Greenwood who opens up about his new photography book, How To Disappear: A Photographic Portrait of Radiohead, which captures the band’s journey from 2003’s Hail to the Thief to 2016’s A Moon Shaped Pool. The book offers a rare behind-the-scenes look at Radiohead, a band known for its mystique, and includes personal photos interspersed with words of reflection on the band’s middle years—years when they were neither in their initial rocket to fame nor at a point of nostalgia. Greenwood credits Nick Cave for helping him frame the concept of the book, finding beauty in the “middle years” of a band’s career, when they’re just getting on with business, far from the sensationalism of early success or later decline. The bassist jokes about the band’s reluctance to be photographed but reflects on how supportive his bandmates were of his passion for photography. The book’s influences include famed photographers like Gary Winogrand and Robert Frank, and Greenwood talks about how he tried to emulate their documentary style in his own work, capturing the candid moments of band life. The interview delves into the band’s creative process, particularly how the environments they recorded in influenced their sound, from haunted 15th-century manor houses during OK Computer to derelict country estates for In Rainbows. Greenwood recounts how the physical spaces became part of the album’s DNA, lending atmosphere and reverb to their iconic sound. Greenwood also reflects on his bass-playing origins, his love for classic soul music, and the powerful influence of American culture on the band’s music. He mentions his recent work with Nick Cave, playing bass on Cave’s new album, and how the band’s hiatus allowed him to explore other creative avenues. As Radiohead approaches its 40th anniversary, Greenwood hints that the band recently reunited for a jam session and is excited about what’s next, though he’s careful not to reveal too much about their future plans.

Listen to Radiohead’s Colin Greenwood chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

For this Rewind of our 1000th episode of Kyle Meredith With…, Kyle sits down with two icons of rock—Primus lead man Les Claypool and Tool’s Maynard James Keenan—to talk about their ongoing collaboration and friendship, highlighted by the upcoming “Sessanta Tour.” The conversation quickly turns hilarious, with the two bantering about everything from thwarting bank robberies and wrestling bears to recalling their first meeting during the 1993 Lollapalooza. They discuss the challenges of blending their distinctive styles while playing on each other’s songs during their live shows, and adding a fishing pond behind the stage for Les during downtime. Les also teases the idea of finally finishing his long-awaited projects with Sean Lennon and Billy Strings, giving fans some hope for more boundary-pushing collaborations. In classic Claypool and Keenan fashion, the duo keeps things unpredictable, talking candidly about the creative process, their love of stepping into character, and their dynamic stage presence. Les likens his approach to performing to Halloween—a celebration that allows him to become different personas while entertaining the audience. Maynard, for his part, opens up about his initial insecurities that led him to take on different characters during his performances, noting that doing so still serves as a buffer between himself and the audience, allowing him to focus on entertaining rather than baring all. The conversation also takes a fun detour as Les recounts a surreal acoustic jam session he had with Eric Idle, Weird Al Yankovic, and Puddles the Clown, revealing the kind of unexpected encounters that add magic to his life. The two also recount a story about an amplifier failure at Red Rocks that became an unforgettable moment for the band and audience alike.

Listen to Primus lead man Les Claypool and Tool’s Maynard James Keenan chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

In this episode of Kyle Meredith With..., Patrick Gibson dives into his role as a young Dexter Morgan in Dexter: Original Sin. He discusses the challenges and joys of stepping into such an iconic character, the guidance he received from Michael C. Hall, and how he prepared by watching key episodes of the original series. Patrick also talks about the psychological nuances of playing a budding psychopath and the balance between homage and originality. He shares insights into working alongside Christian Slater, Sarah Michelle Gellar, and the rest of the stellar cast. Plus, they touch on the comedic undertones of the series, his experience with The OA, and his admiration for Michael C. Hall's music with Princess Goes.

Listen to Patrick Gibson, chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

As 2024 comes to a close, Kyle Meredith with... is taking a look the best interviews from the last 12 months. In this Rewind episode, listen back to the chat with Dave Navarro where he talks about this year's Jane’s Addiction reunion.

The guitarist begins the conversation by talking about his interests in WWII documentaries, archeology, and alien civilizations before buckling down to discuss the band’s tour with Love & Rockets. He also touches on how big of an influence Daniel Ash was for him, as well as the process of recording the new songs “Imminent Redemption” and “True Love” and why they’re only playing songs from their first three albums (“Chris Chaney is playing with AC/DC, poor guy”).

Navarro goes on to talk about his distaste for seeing fans holding up phones during concerts, taking a break from guitar after Taylor Hawkins’ death, and why never wrote a second solo record. He then details getting to be more experimental with his playing as of late, The Velvet Underground’s influence on the band, and the distractions that kept Jane's Addiction unfocused for the past 20 years.

Listen to Dave Navarro, chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

As 2024 wraps up, Kyle Meredith with... is taking a look at some of the best interviews from the past year. In this Rewind, revisit an interview with Pearl Jam’s Stone Gossard where he talks about the band’s latest album, Dark Matter.

The guitarist gives insight on the joy and abandonment that went into the process of making the LP with producer Andrew Watt, as well as how it came together so much quicker than Gigaton. He relates the experience to that of their earliest years. Interestingly, Gossard also reveals that The Cure and U2 served as primary influences on the new set of songs.

With U2 in mind, Gossard tells us why he doesn’t want Pearl Jam to play The Sphere. He then gives his thoughts on The Darkness’ Justin Hawkins deconstruction of “Dark Matter” and, excitingly, says that he’d love to start on a follow up with Watt right away.

Listen to Pearl Jam’s Stone Gossard, chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Taylor Sheridan is a well-oiled storytelling machine, and his latest drama, Landman, set in the unforgiving boom towns of West Texas, promises high-stakes drama and a masterclass in grit. Kayla Wallace steps into the chaos as Rebecca, a fierce attorney who’s unafraid to shake up the old boys’ club — and maybe survive a snake or two along the way. The actress talks with Kyle Meredith about the series, as well as her return to When Calls the Heart.

Wallace relishes the role, bringing a fire that holds its own against powerhouse Billy Bob Thornton, whose rugged cynicism fuels the series’ combustible energy. From courtroom showdowns to tense standoffs in oil fields and wind farms, Wallace’s Rebecca is a woman who’s done her homework and isn’t afraid to use it.

The behind-the-scenes details are as riveting as the plot. When Wallace talks about acting alongside real snakes — plexiglass shields or not — it’s clear Landman doesn’t just flirt with danger; it marries it. “I was absolutely terrified,” she admits. “I thought the snake would somehow learn how to jump and get me.” Add in Wallace’s commitment to exploring the environmental and human costs of oil, and you’ve got a drama that’s as thought-provoking as it is pulse-pounding.

And for those who know Wallace best from When Calls the Heart, there’s more to look forward to. While her character Fiona took a detour to Nashville, Wallace hints that we might not have seen the last of her in Hope Valley.

Listen to Kayla Wallace, chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

To celebrate 2024, Kyle Meredith with.. is taking a look back at some of the best episodes from the past year. On this Rewind episode, Maya Hawke catches up with Kyle Meredith to talk about Chaos Angel, her third album, and more.

The Stranger Things actress tells us how some of the songs were written while making the movie Wildcat, a film about the life of Francis O’Connrey, and how the life of the writer drifted into the lyrics. She also talks about how the opening dialog was taken from a psychic session she had with a pair of witches when she was 11 years old who wanted to put her inside a golden bubble. Hawke goes on to consider the mantras that are threaded throughout the record, her bouts of insomnia, and how an Allen Ginsberg quote reflects our separation of good and bad. She then gives an update on filming the final season of Stranger Things.

Listen to Maya Hawke chat about all this and more in the new episode, or watch it on YouTube. Hawke is also set to play a handful of shows in celebration of the release of Chaos Angel. Grab tickets here.

Make sure to follow Kyle Meredith With… on your favorite podcast platform to keep abreast of all the new episodes; plus, stay up on all our series by following the Consequence Podcast Network.

As 2024 wraps up, Kyle Meredith with... is taking a look at some of the best interviews from the past year. In this Rewind, Joe Keery joins talks about the viral success of his 2022 album Decide, under his Djo moniker, as well as what he’s been up to in Fargo, Stranger Things, and the Marmalade film.

The actor/musician tells us what it’s been like seeing the song “End of the Beginning” take off on TikTok two years after its release, looking back at who he was during the writing of the album, and how the song puts his past into perspective. Keery then dissects the character-within-a-character he played in the Keir O'Donnell directed Marmalade, getting to play a different type of character in the most recent season of Fargo, and breaking away from Stranger Things.

Listen to Joe Keery chat about all this and more in the new episode or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.