Has a Tinder date with a screenwriter ever gone really, really badly? Do you enjoy yoga on a picturesque bluff? Have you ever been trapped in a phone booth, or a vicious dictatorship with oblivious media censors? If so, good news! We take a slow walk in the woods with In A Violent Nature (Canada, 2024) on Shudder, get vengeful - maybe? maybe not? - with Play. Pause. Kill. (France, 2020) on Shortverse and get trapped in an absurdist Terry Gilliam-ish nightmare with La Cabina (Spain, 1972) on YouTube. Also, we recall the unrepeatable sex appeal of David Bowie and highlight a singy Bollywood horror comedy dropping on Netflix and the Swedish Evil Dead on Screambox and Tubi.

Articles mentioned in this episode:

"LA CABINA · THE PHONE BOOTH | Antonio Mercero | Review · Analysis" by Kristonkino on YouTube

Are you trapped in an existential crisis? Do you have aging parents with creepy woodworking talents? Have you ever refused to pay an exterminator? If so, good news! You'll feel seen by our episode this week as we chat about The Piper on Tubi, The Amazing Digital Circus on Netflix and Creswick on Shortverse. Also, if a meteor reversed Earth's polarity, how quickly would you get eaten by seabed monsters?

Guess who's back ... back again. We've got a new job, more sleep and a clean-ish bill of health, so we're hopping back on the spooky train. We chat a bit about the last few months and share quick thoughts on Werewolves (awesome), Blood and Snow (definitely not awesome), The Well (ehhhh), Clock Tower (awesome) and a few other flicks and games.

What's your favorite 90s monster quote? Does un-funny office horror work? Could you read from a screen without tongue tying yourself? Get down on Friday with us this week as we get wild with the popcorny Carnifex (Australia, 2022) on Tubi, shrug at the wasted potential of The Belko Experiment on Tubi and get creeped out over late night snacks with Milk on Shortverse. Also, movies about bad dads and the wilderness are dropping this week and Melissa reminds us what George Romero called them instead of zombies.

What's more frightening: anticipation, or realization? Amorous zombies, or giant holes in the ground? We get weird this week with Japanese folk horror classic Onibaba (1964) on Max, ultra-Italian bizarro flick Cemetery Man (1994) on Shudder and the trippy Canadian short Deja Vu on Shortverse. Plus - what major Asian city has not been attacked by a giant monster?

Why is it always rainy after the end of the world? If a serial killer is incompetent, does that make him more or less scary? Why was Wer so meh? Discover the answers to these questions - and more! - as we chat about Into the Abyss (Argentina, 2022), a SciFi noire horror somewhere between Blade Runner and 28 Days Later, and Angst (Austria, 1983), a true crime-inspired story of brutal murder. Also, Godzilla Minus One/Minus Color (Japan, 2023) might be a gimmick but its a magnificent gimmick, one of the protagonists from Wer (Romania & USA, 2013) gives Jar Jar Binks a run for his money, and we mourn the absence and passing of co-host Melissa, who was comically murdered by Lucifer herself.

Articles mentioned in this episode:

"Godzilla Minus One/Minus Color and the rise of the de-colorized version," by Matt Schimkowitz for The AV Club

Would you defend a werewolf in a court of law, even after it jumped the shark into a totally different movie? Would you hide from a villian named Scissorman? Would you pause a movie after discovering your toddler is afraid of the dark? We did! Join us this week as we chat about Wer (Romania & USA, 2013), Godzilla Minus One (Japan, 2023) and Monolith (Australia, 2022), plus upcoming video game remakes of slasher classic Clocktower, splattery zom-com Lillipop Chainsaw and spookfest Until Dawn.

After a waterlogged hiatus, we're pack to slice through the 2024 Chainsaw Awards. Which is better - The First Omen or Late Night With the Devil? Why were Sister Death and Project Wolf Hunting snubbed, and why is When Evil Lurks nominated for best wide release and best international movie? Pick a lane, Fangoria! Also, love you Nick Cage, but Longlegs (Canada & USA, 2024) is not a modern Silence of the Lambs. a bit overyped. We cut through the hype. Also, we revisit The First Omen and unpack trippy scifi arcs and unfortunate creature design in Joko Anwar's Nightmares and Daydreams (Indonesia, 2024).

Articles mentioned in this episode:

"The Wait Is Over: Here Are The 2024 FANGORIA CHAINSAW AWARDS Nominees," by Allison Melanson for Fangoria

"How ‘The First Omen’ Channels ’70s Horror Imagery and Remixes the Most Terrifying Scares From the 1976 Original, and What a Sequel Might Look Like," by William Earl for Variety

"‘The First Omen’ Filmmaker’s Pitch Was Bold Enough to Get Disney to Bite — and the MPA to Balk," by Kate Erbland for IndieWire