『Books Before Bed』のカバーアート

Books Before Bed

Books Before Bed

著者: AL
無料で聴く

このコンテンツについて

Hey there, book lovers! Welcome to "Books Before Bed" - your cozy corner of the internet where we dive deep into the most amazing audiobooks that'll literally change your nighttime routine, and honestly? Your whole life. I'm your host, and yeah, I'm totally obsessed with audiobooks. Like, borderline unhealthy obsessed, but we're not gonna talk about that right now. This podcast is basically me geeking out over the most incredible stories, characters, and narrators that make bedtime something you'll actually look forward to instead of dreading. Every episode, we're exploring different audiobooks - from mind-bending sci-fi that'll keep you up way past your bedtime (sorry not sorry) to those super soothing literary fiction pieces that'll have you drifting off to dreamland. We talk about everything: the narrator's voice (because let's be real, a good narrator can make or break the whole vibe), plot twists that literally made me gasp out loud in public, and those characters that feel more real than actual people in your life. But here's the thing - this isn't just about reviews. We're building a whole community of people who get it, you know? People who understand that audiobooks aren't "cheating" (ugh, hate that), and that there's something magical about having someone tell you a story while you're wrapped up in your favorite blanket. So grab your headphones, get comfy, and let's find your next literary obsession together. Trust me, your pillow talk is about to get way more interesting.
  • #audiobooks
  • #audiobooklife
  • #audiobooklover
  • #audiobookaddict
  • #booksonthego
  • #narratorlife
  • #audiobookreview
  • #bookstagram
  • #bookish
  • #readingcommunity
  • #booknerd
  • #storytelling
  • #voiceover
  • #bedtimestories
  • #commutereads
  • #literaturelovers
  • #bookpodcast
  • #audiobookclub
  • #readingtime
  • #booksbeforebed
Copyright AL
エピソード
  • CHAPTER 135. The Chase.—Third Day(END)
    2025/05/28
    Moby Dick - Complete Synopsis Herman Melville's "Moby Dick," published in 1851, stands as one of American literature's most ambitious and complex novels. The story is narrated by Ishmael, a young man who feels compelled to go to sea whenever he finds himself growing grim about the mouth and feeling a damp, drizzly November in his soul. This restless spirit leads him from Manhattan to New Bedford, Massachusetts, where he plans to sign aboard a whaling vessel. In New Bedford, Ishmael meets Queequeg, a Polynesian harpooner covered in tattoos and initially appearing quite savage to the civilized young man. Despite their cultural differences and Ishmael's initial fears, the two men quickly become close friends, bound by mutual respect and an almost mystical connection. Queequeg, despite his intimidating appearance, proves to be noble, generous, and deeply spiritual. Their friendship becomes one of the novel's most touching elements, representing a bridge between different worlds and cultures. The pair travels to Nantucket, the great whaling port, where they sign aboard the Pequod, a ship that has seen better days but remains seaworthy. The Pequod is described in detail by Melville, its weathered planks and whalebone decorations telling the story of countless voyages and battles with the great leviathans of the deep. The ship's owners, Peleg and Bildad, are quintessential Nantucketers - shrewd, religious, and shaped by decades in the whaling business. Captain Ahab, the Pequod's commander, remains mysteriously absent during the initial preparations for the voyage. When he finally emerges from his cabin days into the journey, he reveals himself to be a figure of terrible intensity and obsession. Ahab is physically marked by his encounters with the sea - his leg has been taken by a white whale, replaced by a prosthetic made from whalebone. But more significantly, he is spiritually and psychologically scarred, consumed by a monomaniacal desire for revenge against the creature that maimed him: Moby Dick, the legendary white sperm whale. Ahab's obsession with Moby Dick transcends mere personal vendetta. For him, the white whale represents all the malevolent forces of the universe, all the inexplicable evil and suffering that plague humanity. In Ahab's tortured mind, Moby Dick becomes a symbol of everything that is wrong with existence itself. His quest for the whale is thus transformed from a simple hunting expedition into a cosmic battle between man and the darker forces of nature and fate. The crew of the Pequod is a diverse collection of men from around the world, reflecting the international character of the American whaling industry. There's Starbuck, the thoughtful and religious first mate from Nantucket, who represents conventional morality and practical wisdom. He serves as Ahab's primary foil, often questioning the captain's increasingly dangerous obsession. Flask, the third mate, is more carefree and sees whaling as simply a job to be done. Stubb, the second mate, maintains an almost supernatural cheerfulness in the face of danger. Among the harpooners, besides Queequeg, are Tashtego, a Native American from Martha's Vineyard, and Daggoo, an imposing African whose physical presence matches his skill with the harpoon. These men, along with the diverse crew of sailors, create a microcosm of humanity aboard the Pequod, each bringing their own perspectives, skills, and backgrounds to the dangerous work of whaling. As the Pequod sails further from home waters, Melville interrupts the narrative with extensive chapters devoted to the biology, behavior, and cultural significance of whales. These passages, while sometimes criticized as digressions, serve multiple purposes. They demonstrate Melville's extensive research into whaling and marine biology, they provide authentic detail that grounds the fantastic elements of the story in reality, and they elevate the whale from mere animal to a creature of almost mythological significance. The process of whaling itself is described in meticulous detail. Melville explains how whales are spotted, pursued, killed, and processed. The dangers involved are made vivid - small boats launched from the mother ship to chase creatures many times their size, harpooners standing in the bow ready to strike, the chaos and violence of the kill, and the laborious process of harvesting oil and other valuable materials from the carcass. These scenes serve to emphasize both the courage required for such work and the inherent violence of humanity's relationship with nature. Throughout the voyage, the Pequod encounters other whaling ships, and these meetings provide opportunities for "gams" - social visits where crews exchange news, mail, and stories. Each encounter also allows Ahab to inquire about Moby Dick, gradually building a picture of the white whale's movements and reputation. Some captains report narrow escapes from the creature, others speak of vessels destroyed or men killed. These...
    続きを読む 一部表示
    25 分
  • CHAPTER 134. The Chase—Second Day
    2025/05/28
    Moby Dick - Complete Synopsis Herman Melville's "Moby Dick," published in 1851, stands as one of American literature's most ambitious and complex novels. The story is narrated by Ishmael, a young man who feels compelled to go to sea whenever he finds himself growing grim about the mouth and feeling a damp, drizzly November in his soul. This restless spirit leads him from Manhattan to New Bedford, Massachusetts, where he plans to sign aboard a whaling vessel. In New Bedford, Ishmael meets Queequeg, a Polynesian harpooner covered in tattoos and initially appearing quite savage to the civilized young man. Despite their cultural differences and Ishmael's initial fears, the two men quickly become close friends, bound by mutual respect and an almost mystical connection. Queequeg, despite his intimidating appearance, proves to be noble, generous, and deeply spiritual. Their friendship becomes one of the novel's most touching elements, representing a bridge between different worlds and cultures. The pair travels to Nantucket, the great whaling port, where they sign aboard the Pequod, a ship that has seen better days but remains seaworthy. The Pequod is described in detail by Melville, its weathered planks and whalebone decorations telling the story of countless voyages and battles with the great leviathans of the deep. The ship's owners, Peleg and Bildad, are quintessential Nantucketers - shrewd, religious, and shaped by decades in the whaling business. Captain Ahab, the Pequod's commander, remains mysteriously absent during the initial preparations for the voyage. When he finally emerges from his cabin days into the journey, he reveals himself to be a figure of terrible intensity and obsession. Ahab is physically marked by his encounters with the sea - his leg has been taken by a white whale, replaced by a prosthetic made from whalebone. But more significantly, he is spiritually and psychologically scarred, consumed by a monomaniacal desire for revenge against the creature that maimed him: Moby Dick, the legendary white sperm whale. Ahab's obsession with Moby Dick transcends mere personal vendetta. For him, the white whale represents all the malevolent forces of the universe, all the inexplicable evil and suffering that plague humanity. In Ahab's tortured mind, Moby Dick becomes a symbol of everything that is wrong with existence itself. His quest for the whale is thus transformed from a simple hunting expedition into a cosmic battle between man and the darker forces of nature and fate. The crew of the Pequod is a diverse collection of men from around the world, reflecting the international character of the American whaling industry. There's Starbuck, the thoughtful and religious first mate from Nantucket, who represents conventional morality and practical wisdom. He serves as Ahab's primary foil, often questioning the captain's increasingly dangerous obsession. Flask, the third mate, is more carefree and sees whaling as simply a job to be done. Stubb, the second mate, maintains an almost supernatural cheerfulness in the face of danger. Among the harpooners, besides Queequeg, are Tashtego, a Native American from Martha's Vineyard, and Daggoo, an imposing African whose physical presence matches his skill with the harpoon. These men, along with the diverse crew of sailors, create a microcosm of humanity aboard the Pequod, each bringing their own perspectives, skills, and backgrounds to the dangerous work of whaling. As the Pequod sails further from home waters, Melville interrupts the narrative with extensive chapters devoted to the biology, behavior, and cultural significance of whales. These passages, while sometimes criticized as digressions, serve multiple purposes. They demonstrate Melville's extensive research into whaling and marine biology, they provide authentic detail that grounds the fantastic elements of the story in reality, and they elevate the whale from mere animal to a creature of almost mythological significance. The process of whaling itself is described in meticulous detail. Melville explains how whales are spotted, pursued, killed, and processed. The dangers involved are made vivid - small boats launched from the mother ship to chase creatures many times their size, harpooners standing in the bow ready to strike, the chaos and violence of the kill, and the laborious process of harvesting oil and other valuable materials from the carcass. These scenes serve to emphasize both the courage required for such work and the inherent violence of humanity's relationship with nature. Throughout the voyage, the Pequod encounters other whaling ships, and these meetings provide opportunities for "gams" - social visits where crews exchange news, mail, and stories. Each encounter also allows Ahab to inquire about Moby Dick, gradually building a picture of the white whale's movements and reputation. Some captains report narrow escapes from the creature, others speak of vessels destroyed or men killed. These...
    続きを読む 一部表示
    20 分
  • CHAPTER 132. The Symphony and CHAPTER 133. The Chase—First Day
    2025/05/28
    Moby Dick - Complete Synopsis Herman Melville's "Moby Dick," published in 1851, stands as one of American literature's most ambitious and complex novels. The story is narrated by Ishmael, a young man who feels compelled to go to sea whenever he finds himself growing grim about the mouth and feeling a damp, drizzly November in his soul. This restless spirit leads him from Manhattan to New Bedford, Massachusetts, where he plans to sign aboard a whaling vessel. In New Bedford, Ishmael meets Queequeg, a Polynesian harpooner covered in tattoos and initially appearing quite savage to the civilized young man. Despite their cultural differences and Ishmael's initial fears, the two men quickly become close friends, bound by mutual respect and an almost mystical connection. Queequeg, despite his intimidating appearance, proves to be noble, generous, and deeply spiritual. Their friendship becomes one of the novel's most touching elements, representing a bridge between different worlds and cultures. The pair travels to Nantucket, the great whaling port, where they sign aboard the Pequod, a ship that has seen better days but remains seaworthy. The Pequod is described in detail by Melville, its weathered planks and whalebone decorations telling the story of countless voyages and battles with the great leviathans of the deep. The ship's owners, Peleg and Bildad, are quintessential Nantucketers - shrewd, religious, and shaped by decades in the whaling business. Captain Ahab, the Pequod's commander, remains mysteriously absent during the initial preparations for the voyage. When he finally emerges from his cabin days into the journey, he reveals himself to be a figure of terrible intensity and obsession. Ahab is physically marked by his encounters with the sea - his leg has been taken by a white whale, replaced by a prosthetic made from whalebone. But more significantly, he is spiritually and psychologically scarred, consumed by a monomaniacal desire for revenge against the creature that maimed him: Moby Dick, the legendary white sperm whale. Ahab's obsession with Moby Dick transcends mere personal vendetta. For him, the white whale represents all the malevolent forces of the universe, all the inexplicable evil and suffering that plague humanity. In Ahab's tortured mind, Moby Dick becomes a symbol of everything that is wrong with existence itself. His quest for the whale is thus transformed from a simple hunting expedition into a cosmic battle between man and the darker forces of nature and fate. The crew of the Pequod is a diverse collection of men from around the world, reflecting the international character of the American whaling industry. There's Starbuck, the thoughtful and religious first mate from Nantucket, who represents conventional morality and practical wisdom. He serves as Ahab's primary foil, often questioning the captain's increasingly dangerous obsession. Flask, the third mate, is more carefree and sees whaling as simply a job to be done. Stubb, the second mate, maintains an almost supernatural cheerfulness in the face of danger. Among the harpooners, besides Queequeg, are Tashtego, a Native American from Martha's Vineyard, and Daggoo, an imposing African whose physical presence matches his skill with the harpoon. These men, along with the diverse crew of sailors, create a microcosm of humanity aboard the Pequod, each bringing their own perspectives, skills, and backgrounds to the dangerous work of whaling. As the Pequod sails further from home waters, Melville interrupts the narrative with extensive chapters devoted to the biology, behavior, and cultural significance of whales. These passages, while sometimes criticized as digressions, serve multiple purposes. They demonstrate Melville's extensive research into whaling and marine biology, they provide authentic detail that grounds the fantastic elements of the story in reality, and they elevate the whale from mere animal to a creature of almost mythological significance. The process of whaling itself is described in meticulous detail. Melville explains how whales are spotted, pursued, killed, and processed. The dangers involved are made vivid - small boats launched from the mother ship to chase creatures many times their size, harpooners standing in the bow ready to strike, the chaos and violence of the kill, and the laborious process of harvesting oil and other valuable materials from the carcass. These scenes serve to emphasize both the courage required for such work and the inherent violence of humanity's relationship with nature. Throughout the voyage, the Pequod encounters other whaling ships, and these meetings provide opportunities for "gams" - social visits where crews exchange news, mail, and stories. Each encounter also allows Ahab to inquire about Moby Dick, gradually building a picture of the white whale's movements and reputation. Some captains report narrow escapes from the creature, others speak of vessels destroyed or men killed. These...
    続きを読む 一部表示
    29 分

Books Before Bedに寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。