エピソード

  • The Little Prince (1974)
    2025/04/15
    The Little Prince has been enchanting readers of all ages since 1943, when French aviator Antoine de Saint-Exupéry first introduced the boy from a distant planet. Inspired by his own life and a desert crash landing, this poetic tale has become one of the most translated and best-selling books in the world. In this episode, we begin a two-part look at The Little Prince on stage and screen—both versions produced by Joseph Tandet. There’s the ambitious 1982 Broadway-bound musical starring Michael York and a young Anthony Rapp, which never made it past previews. And before that, the 1974 movie musical directed by Stanley Donen and featuring Lerner and Loewe’s final collaboration—complete with Bob Fosse, Gene Wilder, and a surprisingly rocky production history. Theme Music created by Blake Stadnik. Produced by WINMI Media with Dan Delgado as co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    45 分
  • Senator Joe
    2025/03/31
    History and politics have long found their way onto the Broadway stage, from Hamilton and 1776 to Parade and Fiorello! But in 1989, one musical took a wildly unconventional approach—bringing the infamous Senator Joseph McCarthy to life in Senator Joe. Helmed by Hair and Jesus Christ Superstar director Tom O’Horgan, this audacious and bizarre production featured everything from Brechtian satire to a musical number inside McCarthy’s alcohol-ravaged liver. Yet, after only three Broadway previews, the show collapsed under the weight of its own chaos, ending in scandal when its producer was arrested in a phone booth. How did Senator Joe go so wrong? And why did anyone think a musical about McCarthyism would work in the first place? This episode dives into the missteps, mayhem, and misguided ambition that turned a political firebrand into one of Broadway’s most infamous flops. Theme Music created by Blake Stadnik. Click here to find a transcript for this episode and a full list of materials and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    38 分
  • BONUS: Jeremy Benton Spills the Beans on Lone Star Love
    2025/03/24
    In this bonus episode of Closing Night, we dive into more of the stories and backstage drama that surrounded the ill-fated Lone Star Love. This is the full interview with dance captain Jeremy Benton, where he reveals further details of what really happened behind the scenes. From the involvement of Randy Quaid and his wife Evi, whose erratic behavior grew in unexpected ways, to the memorable Cheesecake Factory meeting that became a pivotal moment in the show's history, Jeremy shares candid anecdotes that shed light on the chaos and creativity that brewed during rehearsals and performances. You’ll also learn more about Evi’s tumultuous past, and how the havoc she brought to Lone Star Love was just one example in a long history of troublemaking for this tempestuous individual. Closing Night Theme Music created by Blake Stadnik. “Lazy Day” by Jason Shaw is licensed under a Attribution 3.0 United States License. “Sunday Morning” by Maarten Schellekens is licensed under a Attribution 4.0 International License. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 分
  • BONUS: Lauren Kennedy Talks about Lone Star Love (and The Last Five Years)
    2025/03/17
    In this bonus episode of Closing Night, we revisit a compelling conversation with Broadway star Lauren Kennedy. While exploring the tricky politics and pressures of theater careers, Lauren candidly shares her experiences after Sunset Boulevard and Side Show that led into Lone Star Love. You heard only a couple of quotes from her in the main episode, but here you’ll get the full discussion of the intriguing yet chaotic behind-the-scenes story of a production that was derailed by unexpected challenges and the whims of a high-profile star. Lauren gives an insider's view on how creative visions can clash and projects can unravel despite the promise of a Broadway opening. The episode also touches on her connection with composer Jason Robert Brown and The Last Five Years, and how it prompted her transition into directing and producing, leading to her current role as the Executive Director of Theatre Raleigh. Listen to Lauren's full episode (and bonus episode) on Why I’ll Never Make It. Closing Night Theme Music created by Blake Stadnik. “Mountain Sun" by Jason Shaw is licensed under a Attribution 3.0 United States License. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    17 分
  • Lone Star Love
    2025/02/28
    What happens when Shakespeare meets Texas, bluegrass, and a Broadway-bound disaster? Lone Star Love had all the makings of a crowd-pleasing hit—an inventive twist on The Merry Wives of Windsor, music by The Red Clay Ramblers, and a history of successful regional productions. But when the show set its sights on Broadway, everything started to unravel. From an A-list comedian dropping out to Randy Quaid coming in with an oversized codpiece (and even bigger demands), this is a backstage saga filled with twists, turmoil, and a production that never made it to the Great White Way. In this episode, we’re diving deep into the wild journey of Lone Star Love, exploring its promising start, the chaotic Seattle tryout, and the fallout that left Broadway dreams in the dust. With behind-the-scenes drama, big personalities, and a show that spiraled into theatrical infamy, this is a cautionary tale of how even the best-laid plans can go hilariously—and disastrously—off track. Theme Music created by Blake Stadnik. Click here to find a transcript for this episode and a full list of materials and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    44 分
  • Annie 2: Miss Hannigan's Revenge
    2025/01/29
    The idea of an Annie Part II had actually been floating around since 1982, while the original Annie was still on Broadway, and rather than a traditional sequel, the production was framed as a continuation of the original story, beginning six weeks after the events of Annie, with Miss Hannigan devising her revenge from prison. This continuing story was initially set to open on Broadway in 1983, just months after the original closed. However, it would take until June of 1989 before the show would finally announce an opening date, first in Washington, DC then on Broadway. However, what started out as Miss Hannigan’s Revenge became a revenge of a different kind altogether. And the events that followed underscore a broader truth about Broadway (one that resonates throughout the episodes of this podcast): that even the most seasoned and award-winning of creators can still produce a flop. So was the tumultuous journey and hard-knocked life of Annie 2. Click here to find a transcript for this episode and a full list of materials and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    38 分
  • Season 2 is coming!
    2025/01/28
    Season 2 of Closing Night is finally here—the theater history podcast that takes you behind the curtain to uncover stories about famous and forgotten Broadway show that closed too soon. While season 1 focused on musicals that came and went from the Marquis Theatre, this season I’m tackling a whole new kind of theatrical heartbreak: shows that never actually opened on Broadway. These are the productions that fizzled out during out-of-town tryouts or preview performances, including Lone Star Love, The Little Prince and the Aviator, Lolita, My Love, Let My People Come, and Breakfast at Tiffany’s, among others. Episodes start at the end of January and will drop once a month throughout the year, with the first episode being all about Annie 2: Miss Hannigan’s Revenge, which was actually slated to open at the Marquis Theatre but was canceled after a disastrous run in Washington, DC. Make sure to follow Closing Night on your favorite podcast app and stay connected on Instagram at @closingnightpodcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    3 分
  • Christmas on Broadway
    2024/12/20
    There’s a unique category of musicals that only come around once a year. And it is this annual tradition that makes Christmas musicals so special. They're not just a way to celebrate the holiday season—they tap into that universal feeling of nostalgia, warmth, and tradition. These shows bring people together in a way that few others can, offering an escape into a world of joy, wonder, and yes, a little bit of holiday magic. Whether it’s through music, story, or the sheer spectacle, Christmas on Broadway has a way of making the season feel even more magical. From the big, iconic productions that have defined the Christmas season like White Christmas and Elf to lesser-known gems like Here's Love and Flahooley that still manage to capture the spirit of the holidays, we’re going to look at the shows that not only helped define what Christmas can mean on Broadway but also why they remain so beloved long after the final curtain falls. Check out my episode on Patrick Stewart and and his one-man version of A Christmas Carol. --- Click here for a transcript and full list of the resources and materials used in this episode. Closing Night is a production of WINMI Media. I'm Patrick Oliver Jones, host and executive producer. Dan Delgado is editor and producer, not only for this podcast but also for his own movie podcast called The Industry. Theme music for Closing Night composed and created by Blake Stadnik. I’ll be back in the new year with season 2 of Closing Night. I know, it’s taken awhile, but I think you’ll find its been worth the wait when we talk about more shows as they head toward Closing Night. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    52 分