This week we're going down under for a look at the 1989 post-apocalypse sports movie, Blood of Heroes starring Rutger Hauer and Joan Chen. Also known as Salute of the Jugger, it's a late entry into the Maxploitation wave of the 80's but rather than being the usual quest for water or women, it's an underdog story about a team of misfits who play a violent future sport involving a dog's skull instead of a ball. What's a jugger? Don't worry about it, baby! Will they climb the ranks out of their place beating up on village and peasant teams? Will they make it to the big city and win it all when they face the pros? Probably. I mean, it's a sports movie at heart and that's what usually happens in those movies.

Blood of Heroes sports a significantly better cast than you're probably expecting with Hauer, Chen, Vincent D'Onofrio, and Delroy Lindo all slumming it. The production is also executed by a surprising cohort of filmmakers who we have to thank for the original Mad Max movies which explains why it's so competently made and looks so authentically post-apocalyptic from the people who brought us the subgenre in the first place.

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This week we dust off our dancing shoes and head back to 1980 for the Canadian slasher classic, Prom Night, starring Jamie Lee Curtis and Leslie Nielsen. It's a wild whodunnit with a billion misdirects that thinks its pulling one over on you even though it's pretty obvious who the killer is from the get go. You get a great cast here that elevates to the movie to a higher class than it probably deserves. It's a beautiful portrait of a time long gone and we love it.

Originally conceived as a killer doctor horror movie it instead eschews the popular notion at the time to set a slasher movie during a holiday in favor of something more relatable to young audiences, proms. It also bends over backwards to convince you that the songs being played at this prom are popular disco hits of the era without actually being popular hits of the era.

Prom Night also sparked the first moral outrage of the 80's, the public backlash against horror movies and we're going to tell you all about it.

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This week Bryan and Dave take a trip down south to Orlando, Florida for a look at the utterly baffling but thoroughly charming martial arts movie from Grandmaster YK Kim, Miami Connection. This one's got it all. You get a rock and roll band that's also a bunch of taekwondo black belt vigilantes, a scummy gang of coke dealin' rednecks, ninjas on motorcycles, and a battle of the band that is a little more literal than you might be expecting. Along the way you'll learn a thing or two about how great taekwondo is and the power of friendship and family.

Utterly trashed upon release and rejected by nearly every distributor that saw it, Miami Connection nearly ruined YK Kim but his sheer force of personality saw it through and the good folks at AGFA and The Alamo Drafthouse in Austin saw a sincerity in it that its contemporaries utterly lacked. It's because of this that Miami Connection roared back into life and lives comfortably in the hearts of all who see it. We love it so much that Grandmaster Kim graces our own podcast art.

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This week we're joined by one of our favorite guests, Alaina Urquhart from the massively popular podcast Morbid to take a trip back in time and bask in the warm nostalgic glow of 1998's The Faculty from director Robert Rodriguez. Along with our usual exhaustive break down of the movie you'll hear about the unusually violent high school that we attended (and also was home to Pam Smart), that time Bryan and his girlfriend sat in on a Heaven's Gate presentation at the local library, hosted by Marshall Applewhite, and how Bryan and that same girlfriend were hoodwinked by members of the Church of Scientology into taking their Oxford Capacity Analysis test.

It's tales of peril and high strangeness, sandwiched between a love letter to an underrated gem of 90's horror, made possible by a talented and passionate director and his extremely photogenic cast. Sure, the end of this movie sucks but if you shut it off before the heinous Breakfast Club coda you end up with a ton of fun and no better way to kill 100 minutes.

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This week we slog it out through another Gansa and Gordon filler episode. Scully's ex gets gunned down during a bank robbery and is somehow resuscitated with the spirit of his killer inside him. He's out to find his lady and the whole thing is a little exasperating if we're being honest. We're positively exhausted by the repeated attempts to fill in Scully's backstory with nothing but daddy issues, deadbeats on the dating scene, and in this case, a wildly inappropriate and unlikely scenario where foxy Dana Scully shacked up with one of her instructors, a suitably dumpy bureau guy who couldn't possibly have landed a fine lady like Specia Agent Dana Scully.

We also run down the headlines, talk about the inexplicable success of Mrs. Doubtfire, and marvel at the rising tide of booty jams and sweaty silk-shirt R&B tracks on the radio.

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This month we're taking a big step back into the 2000's for a look at a movie that somehow manages to typify the entire decade in a single package. You get: heinous mall fashion, a cast of WB/CW soap actors, a Hot Topic-ready soundtrack of all the hottest nu-metal acts, Paris Hilton, and the last gasps of casual misogyny and homophobia in the days before social media. House of Wax is a soulless, artless, remake in the high holy days of the horror movie remake.

Dave asks the question: does the culture owe Paris Hilton an apology? Bryan asks the question: Is this actually a remake of the Vincent Price House of Wax? It seems to be a remake of Tourist Trap. Collectively they ask: Is this all Millennials had to look forward to?

House of Wax is the worst of all possible outcomes and we're going to tell you all about it.

Heeeeeeeere we are! Born to be kings! We're talking immortals, sword fighting, decapitations, Queen! It's 1986's cult classic, Highlander, an absolute mess of a movie that somehow, against all odds, has amassed a worldwide following of super fans. It's a little bit of column A and a little bit of column B, just a mishmash of nerdy tropes thrown together and somehow working together in a way that made every twelve year old boy a megafan.

Christopher Lambert plays a brooding Scottish guy who must fight a crazy evil heavy metal black knight while Sean Connery chews scenery. It's all sword fighting all the time and a soundtrack provided by Queen that is easily as memorable as the entire movie. Russell Mulcahy is out here putting his music video filmmaking skills to work on a stylish action adventure that endures as an unstoppable cult movie item that Bryan and Dave are at a loss to explain.

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This week we're joined by Chris Haskell of Punk Vacation, Mondo Macabro, and They Live By Film as we continue our series of high-class horror movies. We're talking about the divine black and white Swedish torment of Ingmar Bergman's Hour of the Wolf.

Bergman is one of the all-time film making greats and you can see his fingerprints on the weirder corners of American film. In the case of Hour of the Wolf you can draw a direct line from this deeply introspective movie to the work of David Lynch. With Max Von Sydow and Liv Ullman, Hour of the Wolf is a movie about a lot of things. It's about an artist's place in his own work, what it means to own a piece of art, it's about guilt and regret and the damage left in your wake when you're constantly following your heart. Ingmar Bergman is a filmmaker who seemed to be constantly going through something and this is one of the results of a man living in his head 24/7.

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