BROADWAY NATION

著者： Broadway Podcast Network
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  • A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality.
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あらすじ・解説

A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality.
147695
アート エンターテインメント・舞台芸術 世界
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エピソード
  • Episode 161: Fixing The Musical, Part 2

    Episode 161: Fixing The Musical, Part 2
    2024/12/19
    This is the second half of my recent conversation with author Doug Reside, whose fascinating new book is titled Fixing The Musical — How Technologies Shaped the Broadway Repertory. Today, Doug shares with us how cast recordings, movie versions, and even illegal bootlegs on YouTube have shaped the American musical as an art form and defined the Broadway repertory as we know it. If you missed part one you may want to catch up with that before listening to this one. And of course, many listeners to this podcast will know Doug from his day job as Curator of the Billy Rose Theatre Division at the NYPL for the Performing Arts. Reside joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. He holds a PhD in English from the University of Kentucky. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patron Carl Baldasso. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    54 分
  • Episode 160: Fixing The Musical — How Technologies Shaped the Broadway Repertory

    Episode 160: Fixing The Musical — How Technologies Shaped the Broadway Repertory
    2024/12/12
    Over the past century, thousands of musicals have opened on Broadway. Why do we remember some and not others? My guest this week is Doug Reside, the author of a very interesting new book: Fixing The Musical — How Technologies Shaped the Broadway Repertory. In this conversation, Doug shares with us how the printed versions of the scripts, cast recordings, movie versions, and even illegal bootlegs on YouTube have shaped the American musical as an art form and defined the Broadway repertory as we know it. This book is filled with fascinating research, which might be expected since, in his day job, Doug Reside is the Curator of the Billy Rose Theatre Division at the NYPL for the Performing Arts. Reside joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. He holds a PhD in English from the University of Kentucky. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patron Kelly Allen. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    43 分
  • Episode 159: Dance In Musical Theatre — A History of the Body in Movement

    Episode 159: Dance In Musical Theatre — A History of the Body in Movement
    2024/12/05
    My guests this week are Dustyn Martincich & Phoebe Rumsey who have edited and authored (along with a number of other contributors) a recent book titled Dance In Musical Theatre — A History of the Body in Movement. As anyone who has listened to this podcast regularly knows, much like the authors of this book, I believe that dance has always been one of the most important and key elements of musical theater—from Oklahoma! and West Side Story to Spring Awakening and Hamilton. By pulling together a range of diverse authors and perspectives, this book not only tracks the emergence of the dancer as a key figure in the genre, it also connects the contributions of past and present choreographers from the beginning of the 20th century and right up to today. Dustyn Martincich is a Professor of Theatre and Dance at Bucknell University. Her research interests involve investigating narrative, collaborative, and interdisciplinary possibilities in theatre and dance performance and musical theatre dance studies that focuses on the work of the ensemble. She has movement directed, choreographed, and performed for concert dance and theatrical stages. She has been recently published in Studies in Musical Theatre, and in edited collections like Gender Sex, and Sexuality in Musical Theatre (edited by Kelly Kessler), Dueling Grounds: Revolution and Revelation in the Musical Hamilton (edited by Paul Laird and Mary Jo Lodge), and Toni Morrison: Forty Years in The Clearing (edited by Carmen Gillespie). Phoebe Rumsey is a Senior Lecturer in Musical Theatre and Course Leader of the BA (Hons) Musical Theater degree at the University of Portsmouth in the United Kingdom. She received her PhD from The Graduate Center, CUNY, and holds an MA in Performance Studies from NYU, an MA in Theatre from UNLV, and a BFA in Contemporary Dance from Simon Fraser University. A scholar and practitioner, her research has been published in The Routledge Companion to Theatre and Politics, Studies in Musical Theatre, The Routledge Companion to the Contemporary Musical and Reframing The Musical: Race, Culture, and Identity (Palgrave). She is the author of Embodied Nostalgia: Social Dance, Communities and the Choreographing of Musical Theatre (Routledge). Along with her engagement in academic studies Dr. Rumsey has worked extensively as a performer and choreographer. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patron Judy Hucka. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    48 分

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