On New Year’s Day in 1962, a four-man band from Liverpool arrived at Decca Records in London to record a demo tape. The band’s 15-song audition was apparently underwhelming: The Beatles were rejected from the label in favour of a group called Brian Poole and the Tremeloes.

The audition tapes, too, were soon forgotten, aside from some incomplete bootlegs that circulated among die-hard fans and five songs released on the 1995 compilation album Anthology 1. So when Rob Frith, the owner of Neptoon Records in Vancouver, and the man we interview today, brought a tape labeled “Beatles ’60s demos” to his friend’s studio on a whim, he didn’t know the value of what he possessed.

Impossible Way of Life is created by musicians, for musicians—diving deep into the grind, the glory, and the gritty truth of life in the music world. Just like you need us, we need you. Please consider supporting our podcast through our Patreon at www.patreon.com/animpossiblewayoflife for an extra bonus episode every week. $5 a month - that’s less than a cup of coffee.

Thanks again Rob for this interview.

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Podcast dropping early—because tonight, we DJ. That’s right: we’re trading microphones for crossfaders and preaching the gospel of the eternal groove straight from the booth. On this episode, we discuss the songs we’ll be spinning tonight—tales of the cheat-code classics, those tracks so loaded with primal rhythm and memory they yank bodies to the floor before the chorus even hits. We’re talking nuclear-grade crowd detonators.

So tune in, then come find us under the strobe—Saturday, April 19th at The Lido - Vancouver.

And….Please consider supporting our podcast through our Patreon for an extra bonus episode every week. Impossible Way of Life is created by musicians, for musicians—diving deep into the grind, the glory, and the gritty truth of life in the music world.

Peace and Love

Johnny's got a cold but with the help of James, his brother in arms, the boys continue their important work curating the perfect playlist of lost gems and resurrected classics. Artists mentioned include: Karen Dalton, Nick Drake, Bobby Charles, Big Star, Lee Hazelwood, Shuggie Otis, Judee Sill, Dwight Twilley, Marlena Shaw, Link Wray, Scott Walker.

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"Everybody's In Show-Biz" feels like a more relevant statement now than it was back in 1972, when The Kinks released this record. Sometimes an album, a song, or a a lyric can ignite a bigger conversation for us and that's what this episode felt like. Happy Sunday folks.

Aaaaand we're back. We speed rank Arthur and Something else as we didn't have time on their respective episodes. We also discuss great lost artists whose music re-emerged in the early 2000s via the explosion of vinyl reissues and record store curation.

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Happy Sunday, folks! We're back on The Kinks. One of our Kinksiest pals, Jeffrey Innes from Yukon Blonde, joins us—so put a brew on and listen in as we discuss perhaps the most underrated Kinks album.

The title speaks for itself. From Gino Vannelli to Edward Bear, It's banger after banger up here in Canada. We don't mess around.

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Grab a poutine and sixer of Kokanee. Today we begin to discuss the musical movement / genre / phenomenon / way of life that is CanCon.