In this episode, I talk to Abbi Flint about Elizabeth-Jane Burnett’s poem ‘Little Peach’ and her own poem ‘Cow Low Bowl (650 - 700 AD)’.

Abbi talks about the connections between her work as an archaeologist and her creative processes as a poet. She explores the idea of fragments - whether they be finds or fragmentary and non-linear details - as a way in to thinking about associations between her various practices. She talks about the creative skills that Burnett displays in her fashioning of a poetic voice that can embody other-than-human elements. She then goes on to discuss at length Elizabeth-Jane Burnett’s project that evolved into her collection Twelve Words for Moss, and how ‘Little Peach’ fits into the overall design of the book. Abbi highlights the sensory qualities and playfulness of the language in Burnett’s poem, the wonder. Abbi also mentions Clare Shaw's peat bog poems as a way of understanding Burnett's work too. Abbi then goes on to explore the sound and sense of her own poem ‘Cow Low Bowl’ (650 - 700 AD)'. She draws on her development as a writer, pinpointing the Continuing Bonds project (see below) as a starting point for drawing together archeology and poetry. She then goes on to talk about how she gained creative inspiration from the Thomas Bateman antiquarian collection held at Western Park Museum in Sheffield in another cross-disciplinary project she was involved in. She talks about the layered approach she makes in 'Cow Low Bowl' - bringing together different texts and images to create this work. She draws on the tactile quality of the bowl as a way into thinking about the object. She talks about writing into the space that 'we will never know', and the archeological imagination. She goes on to discuss the possibility of a first complete collection of creative work, and what texts might be included in the book.

Abbi Flint is a researcher and poet, who works across archaeology, history and the environmental humanities. Her poems have been published in a range of online and print journals, including Under the Radar, Spelt, Atrium, Reliquiae, Popshot Quarterly, The Ekphrastic Review, Ink, Sweat and Tears, and Interpreters House.

Abbi mentions two projects, led by Professor Melanie Giles (University of Manchester), that she contributed poems to Vestiges and Peat: Past, Present and Future. The webpage for Vestiges contains a link to a recording of Abbi reading Cow Low Bowl, and a link to the pdf of the full Vestiges anthology.

More about the Continuing Bonds project, led by Professor Karina Croucher (University of Bradford), here: https://continuingbonds.live/teaching-materials/

The MossWorlds Project, led by Dr Anke Bernau, Dr Ingrid Hanson and Dr Aurora Fredriksen (University of Manchester), has a website here: https://mossworlds.co.uk/about-mossworlds/

The science poetry/art journal Consilience can be found here: https://www.consilience-journal.com/about

Abbi mentions a portrait of Thomas Bateman and his son sitting alongside the Cow Low Bowl. You can find a version of the image here.

Elizabeth-Jane Burnett's poem, 'Little Peach', was published in the Willowherb Review and also in her book Twelve Words for Moss. You can hear her read 'Little Peach' here.

Cowl Low Bowl (650-700 AD)

Low bowl, sky bowl dish that ran away with the moon underground, understone puddled mud above thirsty old bones that took the sky to bed in cloth and ash, iron and brass Sure bowl, palm bowl cupped by a hand that tipped sky to cold lips cold as a tod-fox tooth blue as a calm sea, tender as tilted hips that swallowed the moon

Whole bowl, restless bowl holds the horizon between soil and where air fell to dust this blue is a window between death and another death brought to light by the spade