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বনফুল ওরফে বলাইচাঁদ মুখোপাধ্যায়ের অন্তর্জগৎ আর বহির্জগতের মিলনের প্রধান সেতু ছিল তাঁর গদ্যে-পদ্যে অবাধ বিচরণের ক্ষমতাটি।এর প্রকৃষ্ট উদাহরণ হল 'ডানা' উপন্যাসখানি.

Воздух — это одна из самых динамических стихий, которую мы ощущаем только в ее движении. Эта книга посвящена стихии воздуха и ее отображению в литературе. Гастон Башляр анализирует творчество Фридриха Ницше, Райнера Марии Рильке, Уильяма Блейка, Перси Шелли и других писателей и поэтов, препарируя явленные и скрытые образы, разбирая метафоры, предлагая неожиданные истолкования. По мнению французского философа, поэтический образ следует не понимать, а переживать, он сам есть действительность и не может сводиться ни к чему иному.

Seit sein Hund Lola gestorben ist, kann den kleinen Niklas nichts mehr erfreuen. Alles ist in Traurigkeit gehüllt. Selbst wenn er mit seinen Freunden spielt, ist es nicht mehr so wie früher. Die Erde sieht dunkler aus als sonst, die Nässe ist nasser und die guten Schuhe drücken, wenn er rennt. Niklas fragt sich, ob Trauer je verschwinden kann, wenn doch alles vergeht - selbst die Schönheit der Welt... Oder ob man verlernen kann diese Schönheit zu sehen? Eines Tages lernt er einen alten Mann kennen, der immer allein auf einer Bank sitzt und in die Sonne blinzelt oder in den Schnee starrt.

The Spirit-filled life is a lifelong adventure into the depths of God's Love. Jesus is the Baptizer with the Holy Spirit, desiring to inundate everyone who comes to Him with Living Water from His Well, which never runs dry. He is waiting at the Well for anyone who will come, just as He waited when he met the Samaritan woman at Jacob's Well many years ago here on Earth. He said to her, "Whoever drinks of the water that I shall give him will never thirst. But the water that I shall give him will become in him a fountain of water springing up into everlasting life."

Author Mae Bea Sayes is an artist-poet inspired by life, love, and literature. She transposes poems from images that come alive from ideas about her journey with the meter of language and the characters of literature. She creates cadence through wordplay and loves rhyme whenever it works. In her new collection of poems, The Graveyard and Other Poems, she examines the journey of the souls death, reawakening, and redemption.

The great Indian Buddhist master Nagarjuna wrote his celebrated poem Letter to a Friend as a gift of advice to a South Indian king, and it has since become a monument in the Indian shastra tradition. Despite its short length (only 123 verses), it covers the entire Mahayana path, combining a practical approach to daily conduct with a theoretical exposition of the different stages leading to enlightenment. It has thus been an ideal source for many of Tibet’s greatest scholars seeking a scriptural authority to enhance their own descriptions of the Buddhist path.

In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity – even if to live under such philosophies is dangerous.

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.